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Showing posts with label OIAF. Show all posts
Showing posts with label OIAF. Show all posts

Wednesday, October 2, 2013

Animated Events: The Ottawa International Animation Festival 2013

Well, September was host to the second largest animation festival in the world: the Ottawa International Animation Festival. So since I was in attendence for the fest, I thought I'd share some of the animated films that were either produced or co-produced by women animators.

Most of these haven't hit the internet yet because they're still working their way through the festival circuit, but I've included trailers where possible. Definitely check them out if you have a chance.

"Soup of the Day" was animated by Lynn Smith through the National Film Board of Canada using her animation style mixing paint-on-glass and cut-out animation.

Ottawa also had the world premiere of Eleonore Goldberg's short film "Wandering".

"Virtuoso Virtual" by Thomas Stellmach and Maja Oschmann is an abstract non-narrative animation that synchs a classical score with an animated line of ink. On the big screen during the fest, this film just hypnotized the crowd.

Virtuos Virtuell (clip) from Thomas Stellmach on Vimeo.

"But Milk is Important" by Elrik Bjornsen and Anna Mantzaris told the story of a man with social anxiety... and the fluffy, well-meaning monster trying to help him overcome his fears.
Animasjonsfilm “But Milk Is Important” from Grafill on Vimeo.

I was very happy when "But Milk is Important" won the Public Prize at the festival. Meaning, this film received more votes from the viewing public than any other film at the festival's competition screenings.

Two films that I can't find trailers for are the student films "Fists of Finance" by Sheridan College's Melissa Allen and "Unfortunately" by Karla Monterrosa from the Emily Carr University of Art and Design.

Quoted from the Ottawa Festival's website:

"Fists of Finance" is: "The story of when the greatest kung fu master refused to pay his bills and unleashed the math fury of his otherwise mild-manned accountant."

and

"Unfortunately" is about a girl who "After getting her first period, an antsy teenager tries to find her new place in the world as a woman."

I wish that there was more that I could post about these two delightful films, as "Fists" has this really cool "Samurai Jack" look-and-feel to it and I really enjoyed the thoughtful perspective shared by "Unfortunately". But, I'll just have to keep an eye open for them after their festival runs are over and post more info later. Hopefully, I'll be able to track these two animators down and maybe get an interview out of them.

Another set of student animators: Kyra Buschor, Anna Habermehl, and Constantin Paeplow screened all four of their "Rollin' Safari" animations that they produced as third-year projects at Filmakademie Baden-Württemberg (all of which can be viewed on their youtube page at the following link).

Lastly, Russian animator Anna Shepilova has posted her entire film "It's Raining" on Vimeo. I highly encourage viewers to watch it--though be warned, as this film's themes are a little more mature, it's probably not suitable for viewing at work.

All told, I counted thirty-eight films at the festival competitions and retrospectives (student, international, canadian, etc) that were either created by women animators or where women were prominent members of the production team. One of the things that Ottawa does, which I really appreciate, is that they publish film and bio information on their website for most of the films screened--which you can access via clicking on the hyperlinked animator's names in the above post.

I have to say though, that one of the highlights of the festival for me was when I had the opportunity to meet Lauren MacMullan, Walt Disney's first ever solo-woman short film director.

Eric Goldberg and Lauren MacMullan

Thursday, April 25, 2013

The Women of SoFA

Last weekend I attended an event at the High Falls Festival in Rochester, New York. The High Falls Festival is unique in that it showcases films created by women. Now, I'm going to sidestep the debate on whether exclusive festivals help or harm the community and leave that discussion to others, like Ottawa International Animation Festival artistic coordinator Chris Robinson. Recently he posed that question to a group of female animators and posted the resulting conversation on Animation World Network. You can read the article "here" on the AWN website. While there are good arguments both for and against exclusive festivals, suffice it to say, I personally am in the camp that thinks it's hard enough for independent filmmakers to get exposure, so you take any opportunity to get your film seen by an audience that you can get.

The particular event I attended at the festival was notable in that it featured live-action and animated films created by women filmmakers from R.I.T.'s School of Film and Animation. So, knowing that there were already several things that I wanted to do in Rochester, I decided to add in 'supporting my little sisters' and made the fourteen hour, round trip drive out to my alma mater. (1)

There were several standouts in this collection of very solid performers, so rather than review them all, here are a couple of my favorites from both the live-action and animated films selection. If you'd like to see what films were in the program, you can read the entire program at the High Falls website

"Audition"
by Jietlin Chen & Junran Mo

This film made me squirm in my seat. Don't get me wrong, I enjoyed the film and really appreciated what Ms. Chen and Ms. Mo were trying to say, but the sexuality in their imagery was... not what I was expecting to see from women filmmakers. This was a classic 'mouse that roared' story where a shy and reserved woman who doesn't fit society's stereotypes of beauty allows herself to shine and revel in her smouldering sexuality. I like this film, not for it's sensual imagery, but because it's one of those moments where you get to see how women see each other and themselves, from their perspective--including all the insecurities, body image issues, and comparisons that they make with themselves and each other--exaggerated though it may be in this animation.

Ms. Chen and Ms. Mo have posted their film on YouTube (which you can watch below) and have also created a website describing how they made their film, which can be viewed at: themakingofaudition.wordpress.com.



"Bummer"
by Jen Dexter

"Bummer" was the story of a man who is standing on a bridge and contemplating suicide due to a string of failures in his life when a stranger arrives to offer him some perspective. I don't want to say more about the story because it's something that you really need to watch for yourself. Rather, what struck me was the production quality of the film. Student films can be hit-or-miss, I know that my foray into live-action certainly was. But Ms. Dexter clearly paid attention to a lot of detail in this film. The lighting, camera angles, and sound were spot on. I remember these being some of the hardest things to consistently get right during filming under a controlled environment and here Ms. Dexter makes it look effortless--and does it while filming outdoors!

"Bummer" can be viewed on the CIAS "SoFAtube" website.

"Soap"
by Xin Yin

Soap was just a fun animated film all around. It has this nice National Film Board of Canada feel to it--both in story and in character design and layout. The characters are muddling through their drab, dreary lives but all it takes is something as small and inconsequential as a used-up piece of soap to brighten their day and help them forget all their troubles.

"Soap" can be viewed on the CIAS "SoFAtube" website.

"Remembering the Pythodd"
by Tina Chapman Decosta

Here I am again, dealing with the fact that I don't like Jazz, but completely immersed in a film about Jazz--much like when I saw "Chico and Rita" at the Waterloo Festival for Animated Cinema. "Remembering the Pythodd" appealed to my inner history buff not just because it was the story of a nearly forgotten piece of Rochester's history, but just like "Bummer", the production quality was stellar. Ms. Chapman Decosta's twelve minute film was on a par with the documentaries I routinely see on PBS. Even if like me, you're not into Jazz music, "Remembering the Pythodd" is still well worth twelve minutes of your time.

"Remembering the Pythodd" can be viewed on the CIAS "SoFAtube" website.

* * *

1. For those interested in the highlights of that trip, I recommend you navigate to the blog post: 'Animated Thoughts: Serendipity and Research' on my company website, Smudge Animation.